Walt Whitman

Walt Whitman Poems

  1. 1861
  2. A Boston Ballad, 1854
  3. A child said, What is the grass?
  4. A Child’s Amaze
  5. A Clear Midnight
  6. A Farm-Picture
  7. A Glimpse
  8. A Hand-Mirror
  9. A Leaf For Hand In Hand
  10. A March In The Ranks, Hard-prest
  11. A Noiseless Patient Spider
  12. A Paumanok Picture
  13. A Proadway Pageant
  14. A Promise To California
  15. A Riddle Song
  16. A Sight In Camp
  17. A Sight In Camp In The Daybreak
  18. A Song
  19. A Woman Waits For Me
  20. Aboard At A Ship’s Helm
  21. Adieu To A Solider
  22. After The Sea-Ship
  23. Ages And Ages, Returning At Intervals
  24. Ah Poverties, Wincings Sulky Retreats
  25. All Is Truth
  26. American Feuillage
  27. Among The Multitude
  28. An Army Corps On The March
  29. Apostroph
  30. Are You The New Person, Drawn Toward Me?
  31. As A Strong Bird On Pinious Free
  32. As Adam, Early In The Morning
  33. As At Thy Portals Also Death
  34. As Consequent, Etc.
  35. As I Ebb’d With the Ocean of Life
  36. As I Lay With My Head in Your Lap, Camerado
  37. As I Ponder’d In Silence
  38. As I Sat Alone By Blue Ontario’s Shores
  39. As I Walk These Broad, Majestic Days
  40. As I Watche’d The Ploughman Ploughing
  41. As If A Phantom Caress’d Me
  42. As The Time Draws Nigh
  43. As Toilsome I Wander’d
  44. Ashes Of Soldiers
  45. assurances
  46. Bathed In War’s Perfume
  47. Beat! Beat! Drums!
  48. Beautiful Women
  49. Beginners
  50. Beginning My Studies
  51. Behavior
  52. Behold This Swarthy Face
  53. Bivouac on a Mountain Side
  54. Bivouac On A Mountain Side
  55. Brother Of All, With Generous Hand
  56. By Broad Potomac’s Shore
  57. By The Bivouac’s Fitful Flame
  58. Camps Of Green
  59. Carol Of Occupations
  60. Carol Of Words
  61. Cavalry Crossing A Ford
  62. Chanting The Square Deific
  63. City Of Orgies
  64. City Of Ships
  65. Come Up From The Fields, Father
  66. Come, Said My Soul
  67. Crossing Brooklyn Ferry
  68. Darest Thou Now O Soul
  69. Debris
  70. Delicate Cluster
  71. Despairing Cries
  72. Dirge For Two Veterans
  73. Drum-Taps
  74. Earth! my Likeness!
  75. Eidólons
  76. Elemental Drifts
  77. Ethiopia Saluting The Colors
  78. Europe, The 72d And 73d Years Of These States
  79. Excelsior
  80. Faces
  81. Facing West From California’s Shores
  82. Fast Anchor’d, Eternal, O Love
  83. For Him I Sing
  84. For You, O Democracy
  85. France, The 18th Year Of These States
  86. From Far Dakota’s Canons
  87. From My Last Years
  88. From Paumanok Starting
  89. From Pent-up Aching Rivers
  90. Full Of Life, Now
  91. Germs
  92. Give Me The Splendid, Silent Sun
  93. Gliding Over All
  94. God
  95. Good-Bye My Fancy!
  96. Great Are The Myths
  97. Had I the Choice
  98. Hast Never Come To Thee An Hour
  99. Here The Frailest Leaves Of Me
  100. Here, Sailor
  101. Hours Continuing Long
  102. How Solemn As One By One
  103. Hush’d Be the Camps Today
  104. I Am He That Aches With Love
  105. I Dream’d In A Dream
  106. I Hear America Singing
  107. I Hear It Was Charged Against Me
  108. I Heard You, Solemn-sweep Pipes Of The Organ
  109. I Saw In Louisiana A Live Oak Growing
  110. I Saw Old General At Bay
  111. I Sing The Body Electric
  112. I Sit And Look Out
  113. I Thought I Was Not Alone
  114. I Was Looking A Long While
  115. I Will Take An Egg Out Of The Robin’s Nest
  116. In Cabin’d Ships At Sea
  117. In Former Songs
  118. In Midnight Sleep
  119. In Paths Untrodden
  120. In The New Garden In All The Parts
  121. Inscription
  122. Italian Music In Dakota
  123. Joy, Shipmate, Joy!
  124. Kosmos
  125. Laws For Creations
  126. Leaves Of Grass. A Carol Of Harvest For 1867
  127. Lessons
  128. Lo! Victress On The Peaks
  129. Locations And Times
  130. Long I Thought That Knowledge
  131. Long, Too Long America
  132. Look Down, Fair Moon
  133. Manhattan Streets I Saunter’d, Pondering
  134. Mannahattan
  135. Me Imperturbe
  136. Mediums
  137. Miracles
  138. Mother And Babe
  139. My Picture-Gallery
  140. Myself And Mine
  141. Native Moments
  142. Night On The Prairies
  143. No Labor-Saving Machine
  144. Not Heat Flames Up And Consumes
  145. Not Heaving From My Ribb’d Breast Only
  146. Not My Enemies Ever Invade Me
  147. Not The Pilot
  148. Not Youth Pertains To Me
  149. Now Finale To The Shore
  150. Now List To My Morning’s Romanza
  151. O Bitter Sprig! Confession Sprig!
  152. O Captain! My Captain!
  153. O Hymen! O Hymenee!
  154. O Living Always–Always Dying
  155. O Me! O Life!
  156. O Star Of France
  157. O Sun Of Real Peace
  158. O Tan-faced Prairie Boy
  159. O You Whom I Often And Silently Come
  160. Of Him I Love Day And Night
  161. Of The Terrible Doubt Of Apperarances
  162. Of The Visage Of Things
  163. Offerings
  164. Old Ireland
  165. On Journeys Through The States
  166. On Old Man’s Thought Of School
  167. On The Beach At Night
  168. On The Beach At Night, Alone
  169. Once I Pass’d Through A Populous City
  170. One Hour To Madness And Joy
  171. One Song, America, Before I Go
  172. One Sweeps By
  173. One’s Self I Sing
  174. Or From That Sea Of Time
  175. Other May Praise What They Like
  176. Out From Behind His Mask
  177. Out of the Cradle Endlessly Rocking
  178. Out of the Rolling Ocean, The Crowd
  179. Over The Carnage
  180. Passage To India
  181. Patroling Barnegat
  182. Pensive And Faltering
  183. Pensive On Her Dead Gazing…
  184. Perfections
  185. Pioneers! O Pioneers!
  186. Poem Of Remembrance For A Girl Or A Boy
  187. Poems Of Joys
  188. Poets to Come
  189. Portals
  190. Prayer Of Columbus
  191. President Lincoln’s Burial Hymn
  192. Primeval My Love For The Woman I Love
  193. Proud Music Of The Storm
  194. Quicksand Years
  195. Race Of Veterans
  196. Reconciliation
  197. Recorders Ages Hence
  198. Respondez!
  199. Rise, O Days
  200. Roaming In Thought
  201. Roots And Leaves Themselves Alone
  202. Salut Au Monde
  203. Savantism
  204. Says
  205. Scented Herbage Of My Breast
  206. Sea-Shore Memories
  207. Shut Not Your Doors, &c.
  208. Sing Of The Banner At Day-Break
  209. So Far And So Far, And On Toward The End
  210. So Long
  211. Solid, Ironical, Rolling Orb
  212. Sometimes With One I Love
  213. Song At Sunset
  214. Song For All Seas, All Ships
  215. Song of Myself
  216. Song Of The Broad-Axe
  217. Song Of The Exposition
  218. Song Of The Open Road
  219. Song Of The Redwood-Tree
  220. Song Of The Universal
  221. Souvenirs Of Democracy
  222. Spain 1873-’74
  223. Sparkles From The Wheel
  224. Spirit That Form’d This Scene
  225. Spirit Whose Work Is Done
  226. Spontaneous Me
  227. Starting From Paumanok
  228. States!
  229. Still, Though The One I Sing
  230. Tears
  231. Tests
  232. That Last Invocation
  233. That Music Always Round Me
  234. That Shadow, My Likeness
  235. The Artilleryman’s Vision
  236. The Base Of All Metaphysics
  237. The Centerarian’s Story
  238. The City Dead-House
  239. The Dalliance Of The Eagles
  240. The Indications
  241. The Last Invocation
  242. The Mystic Trumpeter
  243. The Ox tamer
  244. The Prairie States
  245. The Prairie-Grass Dividing
  246. The Runner
  247. The Ship Starting
  248. The Singer In The Prison
  249. The Sleepers
  250. The Sobbing Of The Bells
  251. The Torch
  252. The Unexpressed
  253. The Untold Want
  254. The World Below The Brine
  255. The Wound Dresser
  256. There Was A Child Went Forth
  257. These Carols
  258. These, I, Singing In Spring
  259. Thick-Sprinkled Bunting
  260. Think Of The Soul
  261. This Compost
  262. This Day, O Soul
  263. This Dust Was Once The Man
  264. This Moment, Yearning And Thoughtful
  265. Thou Orb Aloft Full-Dazzling
  266. Thou Reader
  267. Thought
  268. Thoughts
  269. To A Certain Cantatrice
  270. To A Certain Civilian
  271. To A Common Prostitute
  272. To A Foil’d European Revolutionaire
  273. To A Historian
  274. To A Locomotive In Winter
  275. To A President
  276. To A Pupil
  277. To A Stranger
  278. To A Western Boy
  279. To Foreign Lands
  280. To Him That Was Crucified
  281. To Old Age
  282. To One Shortly To Die
  283. To Oratists
  284. To Rich Givers
  285. To The East And To The West
  286. To The Garden The World
  287. To The Leaven’d Soil They Trod
  288. To The Man-of-War-Bird
  289. To The Reader At Parting
  290. To The States
  291. To Thee, Old Cause!
  292. To Think Of Time
  293. To You
  294. Trinckle, Drops
  295. Turn, O Libertad
  296. Two Rivulets
  297. Unfolded Out Of The Folds
  298. Unnamed Lands
  299. Vigil Strange I Kept on the Field one Night
  300. Virginia–The West
  301. Visor’d
  302. Voices
  303. Walt Whitman’s Caution
  304. Wandering At Morn
  305. Warble Of Lilac-Time
  306. We Two Boys Together Clinging
  307. We Two-How Long We Were Fool’d
  308. Weave In, Weave In, My Hardy Life
  309. What Am I After All
  310. What Best I See In Thee
  311. What General Has A Good Army
  312. What Place Is Besieged?
  313. What Think You I Take My Pen In Hand?
  314. What Weeping Face
  315. When I Heard At The Close Of The Day
  316. When I Heard the Learn’d Astronomer
  317. When I Peruse The Conquer’d Fame
  318. When I Read The Book
  319. When Lilacs Last in the Dooryard Bloom’d
  320. Whispers Of Heavenly Death
  321. Who Is Now Reading This?
  322. Who Learns My Lesson Complete?
  323. Whoever You Are, Holding Me Now In Hand
  324. With All Thy Gifts
  325. With Antecedents
  326. World, Take Good Notice
  327. Year Of Meteors, 1859 ’60
  328. Year That Trembled
  329. Years Of The Modern
  330. Yet, Yet, Ye Downcast Hours

Walt Whitman Biography

Walt WhitmanWhen approaching the poems of Walt Whitman (1819-1892), one will see that he is quite a modern poet to be listed among the greats. This is not to say that such work needs to be disregarded as being of less merit than John Donne or Percy Bysshe Shelly. On the contrary, in terms of his style and his subject matter there is a profound level of depth and feeling to be found from Walt Whitman’s work.

Naturalistic with Personification

From Facing West from California’s Shores to On the Beach at Night/ On the Beach at Night Alone one can see that there is a distinctive tie between Walt Whitman and his theology as well as with his natural surroundings. In Facing West from California’s Shores the reader quickly sees that America is given youthful personification. The country is looking about much like an awe struck child would do to his or her elders. There is an acknowledgment that a growth needs to take place, that there is a maturity that has not quite been embraced that sits with the older countries. This is but one example of Walt Whitman’s tie of nature to the personal.

In his poem I Saw in Louisiana a Live-Oak Growing Walt Whitman compares the old oak to himself. Furthermore, the solitary location of this specific oak baffles the writer as he states the human need. Where this oak has grown without the comfort and presence of the oak from which it came and there is no distinguished oak mentioned which is the pollinator or lover of this oak. Walt Whitman states that he needs to have that companionship. He has to be near to his lover, but not just to his lover but also to mankind and his kinsman. Personified here is not only the oak, but also the result of loneliness and solitude of the oak. Note the moss that grows and hangs down. There is a bond between this natural element and the non-physical. As with all great poetry, Walt Whitman transcends beyond just words and forces the reader to explore their own theologies and doctrines.

Forever the Lover

One of the most definitive characteristics of Walt Whitman’s poems is his strong and passionate language. There is a bluntness which is not common among other poets. Where there are those which address love and sexuality in a blunt manner, there are few which do so in a tasteful manner. Even in his poem O Hymen! O Hymenee! , he addresses the topic with taste and tact. Where this is not (in my opinion) a great example to the passion and sexuality that characterizes his poems, it does show that even with such a blunt topic there can be a tasteful and artful approach.

More in line with the passionate style of Walt Whitman would be his poem From Pent-Up Aching Rivers. The feelings and the manner in which the sexuality is addressed provokes the reader to have both an emotional response but also to have a mental remembrance should he or she have a lover. The poem is again a tie between nature and personification (as here one sees that sexuality is given a personality).

More than a Captain

Perhaps the most iconic poem from Walt Whitman would be O Captain! My Captain!. The poem is frequently quoted and revisions and variations have been made from it. Yet, this poem is not the typical poem language of the poet. It is true that there are the Oh’s which are found in his poems, but there the connections end. Where the majority of Walt Whitman’s poems are sensual and life embracing, this poem is life departing. Depending on how one approaches the poem, there is a tone of sensuality, but not to the point of making this work the definitive tangent from which one can compare his other works. This is not to diminish this work, but one needs to keep in mind the scope of his work generally encompasses different aspects.

Soul Seeker

Ongoing in his poems is a question. This question is to the divine, the mystic, and the “inner” man. In a few poems this is posted as the unfound item. In other poems the address is more to the unanswered. In his poem When I Heard The Learn’d Astronomer we can see that he refuses to discard the mystical and the divine (even in the face of so called logic).

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Notice here that here he ties the logical pattern to the mystical and divine. He shows that yes there are patterns and such to the stars or heavens, but at the same time he shows that there is an aspect that will always baffle those which stand underneath their canopy.

Whether one is reading Walt Whitman for the first time or an avid reader, one is sure to find both emotional and intellectual gratification. For those which seek poems written to make us aware of the world around us, he has done so. Those which seek love and sexuality will find that he fully can satisfy such an appetite. Even those which seek death can find such in his poems. It may be true that Walt Whitman is considered more of a modern poet, but his poems are sure to span the remainder of mankind’s existence.